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Berlin underground catwalk. Image taken from: http://photoblog.nbcnews.com/

After three years of living in this incredible city, I understood and learned a lot. One of the brightest realisations was that Berlin, the city of freedom in all its expressions, has made me lose my gender, my femininity, my attractiveness. You can get me wrong, if you want to, but a woman needs compliments. I am far from being a narciss, but I’d get five to ten compliments a day in the UK. And when I go back to Riga, I need only a day to get a compliment from a man. But today in Berlin I received a compliment worth a million.

A woman wants to look good not only for herself, she needs to feel attractive and wanted by others. It’s a part of being a female. Berlin has been so greedy with compliments, and so generous with liberation and enervation, that the difference between male and female has vanished. Equality has it’s positive and negative sides. Wearing Dr. Martens, jeans and oversized jumper is too easy, for both girls and boys. Sometimes I think in Berlin transvestites and transexuals dress better than the women themselves. In Berlin I found myself being left without compliments both times: when I dressed pretty and when I wore casual clothes. No one pays attention, because everyone is too cool ( in both connotations). All of the sudden it didn’t matter what you wore (or wore nothing at all, they still would pay attention).

Wearing a dress from a Give Away box

Wearing a dress from a Give Away box

But here is a story. Last year I found a nice loose dress in a box on the street of Rasenthaler Platz, which said “Zu verschenken” (Give away). It was in a great condition and I took it. Today I wore it for the first time to work. After work being tired and sticky (+30) I was walking to pick up my bike. As I open a locker an older gentleman comes by and speaks fast German, and at first I thought he is telling me I parked my bike in the wrong place, but his face is kind and he says something about my dress. My German being ok did let me down this time, and I honestly said “Sorry, my German is not that good”. He made sure I spoke English and then said that he does not want to disturb me, but he was sitting in the cafe that I passed by and my dress looked so pretty on me that he could not resist to tell me. I smiled widely thanking him and he added then:”And look what I get back, a nice smile! Thanks for walking by!” We spoke for 10 more minutes, and he told me he moved to Berlin in the 70s from New Zealand and he has seen this city change a lot. He has been doing photography for living all his life long and so we spoke about photography. I placed one of his Berlin photos below.

He was extremely nice and reminded me of Adam, my 77-year old friend in England, we still exchange real post with. Needless to say Mike made my day and I felt like a woman again.

Berliners, tell more compliments! Don’t keep it to yourself! And I mean both genders here.

“It is a great mistake for men to give up paying compliments, for when they give up saying what is charming, they give up thinking what is charming.” 
― Oscar Wilde

 

 

 

All rights reserved by Mike Minehan

 

P.S. And it finally rains!

illustration Darkam

illustration Darkam

Übergang is a cultural and literary magazine in English and German, published twice a year. The publication offers literature with illustrations that reaches out to a liberal audience with features often touching sexual topics through poetry, commentary, interviews and fiction. In Berlin spirit it uses culture to open up minds and promulgate new ways of living.

Launched in September, Übergang comes in convenient pocket size (A5) and has 80 pages in the form of a booklet.

The title is the german word for ‘transition’ as this publication is devoted to documenting the contemporary flux through facts and fiction. The theme of the first issue is the Kottbusser Tor area of Berlin, which is in constant flux and is the target of financial and political speculation. Simultaneously being a sexual and cultural melting pot.

The cover of the magazine

The cover of the magazine

This magazine is relevant today because it strives to create more acceptance with its non­sensationalist approach to sexual texts, in a modern world where intolerance and negativity towards difference persists. And it is unique in being the only bilingual polysexual literary journal of Berlin.

There is social and political critique (e.g. about Wowereit) in the form of poetry and an article on polyamory, and we introduce the Handjerks with his lo­fi tropical song dedicated to wehappytrans.com. Our short stories touch the topics of race and history, art and sex clubs, and doomed romance.

We invited authors and artists whose we admire to work with us, some of them from New York, some of them part of the Poetry Slam scene in Berlin.

From Ubergang "Kottbusser Tor" issue.

From Ubergang “Kottbusser Tor” issue.

Übergang’s manifest:

We live in times of unforeseeable shifts in power. Standards, identities, ideas: they’re all challenged by tediousness, economics and politics.

We want to leave the bourgeois idyll and the stance of irony behind to make way for an optimistic and constructive future. Sex, love, culture, liberation: we go in search of the personalities and phenomena that dare to define the new undercurrent and open up the dialogue.

Stimulus instead of escapism Utopia instead of nostalgia Confrontation and honesty Multiculturalism and polysexuality

Copies are available in Bookshops across Berlin, London, Brussels and Amsterdam. Retail €7.50

http://www.uebergang­mag.de

https://www.facebook.com/UebergangMagazine

uebergangmag@gmail.com

All rights reserved by Elena Anna Rieser

All rights reserved by Elena Anna Rieser

Anita Berber

Anita Berber was the sex of Berlin, the most extravagant performer of the 1920s. The woman who was first to perform naked and was often dancing in the cabaret called “The White Mice” in Friedrichstrasse, where she would urinate on the table if someone was not watching her on stage. Now there is a bar in Wedding, on Gerichtstrasse 23, called Anita Berber Bar in the memory of a great dancer.

With my big love to the 20s, I always thought Berlin should have a real cabaret or a typical 20s bar even now, but all I saw were absolutely missing the point replicas. I am not saying it is easy to keep the spirit of the 20s, yet Berlin with it’s open sexuality, must have a place where one could go back in time. Unfortunately, even Anita’s bar only has her photographs to offer, other than that it is a typical Berlin bar.

History

Anita Berber and Sebastian, her 2nd husband.

Born in Leipzig to musician parents who later divorced, she was raised mainly by her grandmother in Dresden. By the age of 16, she had moved to Berlin and made her debut as a cabaret dancer. By 1918 she was working in film, and she began dancing nude in 1919. Scandalously androgynous, she quickly made a name for herself. She wore heavy dancer’s make-up, which on the black-and-white photos and films of the time came across as jet black lipstick painted across the heart-shaped part of her skinny lips, and charcoaled eyes.

Through 1916/17, Anita’s star was rising and she not only toured throughout Germany and Austria with the Sacchetto Troupe but also performed solo at the Berlin Wintergarten and was featured twice on the front cover of glossy women’s magazine Die Dame. By 1918 she had made her first of nine silent films, was becoming a sought-after model and was touring her own solo programme.

In January of 1919, Anita married the wealthy young screenwriter Eberhard von Nathusius. Her film career was blossoming and  in the spring of that year she appeared, alongside rising-star Conrad Veidt, as Else in the ground-breaking Richard Oswald film “Different From The Others” (Anders als die Anderen).  Anita had occupied a suite at the Adlon Hotel, spent wildly on furs, shoes and jewellery and indulged heavily in cocaine, cognac and all-manner of illicit narcotics smuggled from around Europe. She would spend her nights touring the hotels and elegant restaurants of the city, wearing nothing but a sable coat, and with her pet monkey around her neck along with an antique brooch packed full of cocaine. In addition to her addiction to cocaine, opium and morphine, one of Berber’s favourites was chloroform and ether mixed in a bowl. This would be stirred with a white rose, the petals of which she would then eat.

By 1921 her sham marriage had collapsed completely, Von Nathusius divorced her and she dated a string of beautiful women, including, allegedly, young Marlene Dietrich. But it was stylish bar-owner Susi Wanowski who won her heart and very quickly became her lover, manager and secretary.

In June 1922, Anita met the dancer and poet Sebastian Droste during a particularly wild night out at a Berlin casino. It was to be a life-changing encounter.

Anita and Sebastian were immediately drawn to one another (even thought Sebastian was a homosexual) and convinced they could create something bold, new and shocking.

Droste.

Rehearsals began immediately with a fervour only matched by the pairs’ cocaine consumption.  Very quickly Droste had replaced Susi as Anita’s manager and, by July of 1922, a series of performances of their new production “The Dances Of Depravity, Horror and Esctasy” had been booked for Vienna in November.

In January 1923 Anita and Sebastian got married. A year later after crazy and scandalous touring they came back to Berlin,he was desperate for drugs and stole the money, later had to run away to America. Anita had repealed their marriage. The same year she  re-married to Henri Chatin-Hoffman (also homosexual) after 2 weeks knowing him.

In June 1926, Anita and Henri were  on tour with their new production “Dances of Sex and Ecstasy”. Whilst in Zagreb, Anita publicly insulted the King of Yugoslavia and was imprisoned for six weeks. Back in Berlin, both Anita and Henri were now broke and Anita returned to the cabaret circuit.

On the night of July 13th 1928, Anita collapsed whilst performing at a Beirut nightclub, and was diagnosed with an advanced state of pulmonary tuberculosis.

Four months later, on November 10th 1928, she died and was buried in a paupers grave at St. Thomas Friedhof in Neukölln. 

The band Death in Vegas named a song after her, which is on the album Satan’s Circus.  And there is a film called Anita – Tänze des Lasters, where and old lady goes mad imagining herself being Anite Berber.

Gedenktafel Anita Berber 10707 Berlin Wilmersdorf Zähringerstraße 13. Image taken from Wikipedia

Gedenktafel Anita Berber 10707 Berlin Wilmersdorf Zähringerstraße 13. Image taken from Wikipedia

Sebastian Droste (Husband of Anita Berber), 1923

Anita and Sebastian.

Matt Lambert - Heile Gänsje (2013)

Matt Lambert – Heile Gänsje (2013)

Once upon a time porn was considered to be intended only for shady characters in dark movie houses and adventurous couples in sex shops. But the advent of the Internet opened the doors to expressions of the most diverse kinds of desires and arousal. A vast variety of new genres of porn emerged, with its aesthetic dimension flourishing into new forms of artistic expression. (M I N D P I RATE S   e .V.)

“Sexually progressive cultures gave us literature, philosophy, civilization and the rest, while sexually restrictive cultures gave us the Dark Ages and the Holocaust.” 
― Alan Moore25,000 Years of Erotic Freedom

“Pornography, it seems to me, is no different from war films or propaganda films in that it tries to make the visceral, horrific, or transgressive elements of life consumable” 
― Michael Haneke

"Inside Flesh"

For me art porn is more than just a pleasure zone; porn to be called art has to have a certain level of imagination, perspective and substance. Penetration without any cognitive content you can watch at home on your 100 inch TV screen. Art porn is here to tell a story, no matter how short or long it is.

The event is curated to encourage visitors to engage in the experience, stepping forward beyond mere spectatorship. We invite everyone to be part of this experience. Join and explore your own desires, in a safe and consensual environment. For more information and detailed program please visit mindpirates.org/artporn (M I N D P I RATE S   e .V.)

MINDPIRATES ART PORN WEEK from Mindpirates e.V. on Vimeo.

ART PORN WEEK
June 12 – 15, 2013
Mindpirates Vereinsheim, Mindpirates Projektraum
Schlesiche Strasse 38, 3HH
10997 Berlin

Porno Clown - AMOR COM A CIDADE (2012)

Porno Clown – AMOR COM A CIDADE (2012)

Katia Sepulveda - Pascha Revolution! 2011

Katia Sepulveda – Pascha Revolution! 2011

Dirty Talk – an interactive performance with Svetlana Pall Mall

Dirty Talk – an interactive performance with Svetlana Pall Mall

Presented by Mindpirates e.V.

Presented by Mindpirates e.V.

Porn cinema is more than just an intercourse. Porn is love, hate, art, money, cultural differences, political and social issues.

Porn documents the real, porn can also be the end of your fetisch imagination. Porn is everything you want.

Porn Film Festival is like eating banana pieces cut with scissors.

Before the 7. Porn Film Festival Berlin kicks off on the 24th of October in Kino Moviemento (the oldest cinema in Berlin), you can reserve your tickets for a Warm-up Party!

HERE

As a warm-up to this year’s Festival we will show THE OPENING OF MISTY BEETHOVEN by Radley Metzger, onOctober 11th at 20:00 at Kino Moviemento. You will have the chance to watch more Radley Metzger films during the Festival (24th-28th October), as we will be presenting an extended retrospective of the renowned filmmaker.

Admit it, you love watching vintage porn. Porn’s golden age was in the late 60s and early 70s, and Radley Metzger was one of the masters of the time. THE OPENING OF MISTY BEETHOVEN is a must-see that deals with taboos such as adultery, homosexuality, cross-dressing and male-female power relationships in a way that’s surprisingly liberated for its time.

by Avant Hard all rights reserved

Last night White Trash Club, dark and claustrophobic, has welcomed Peaches and her burlesque dancers. When it comes to Peaches – there is always a show. This time it was blood, strip, Barbie nipples and a lot of champagne. 

We came around 11, and it is too early for Berlin. You can chill, smoke outside enjoy the fresh air, drink wine around the corner or stay inside and dance for 2 hours. People seemed to be dressed rather casual, no special costumes or extravagant make ups. The DJ before Peaches was running a rather strange mix of songs – some good old Joy Division, Nirvana then modern indie and some MTV pop. The crowd nicely warmed up and terribly drunk at 1am was more than ready for Peaches. She did not make wait long. I raised my arms and they met the ceiling. The club was not small, but located under the ground and above felt like Pans’ Labyrinth. 

She made it loud, long and wet. Four or five bottles of champagne made the 1st rows sticky and happy. The two dancers entertained the crowd with changing their costumes every 10 minutes, starting as elegantly dressed pilots with cigarettes in silver lips, finishing with stripping and flashing their arses in g-strings and pale topless bodies. Vampiric eyes were drilling the crowd, their robotic movements and skinny bodies fit well the DJ-set, which of course was less exciting than her individual shows where she uses fat dancers with wicked tatoos. But it is still Peaches – expressive, sexy, crowd loving and just a cool chick. She played a mix of her songs which worked the best and some techno club mixes which made the crowd move for 2h non stop, 3am she left the stage and White Trash is ready for a big glass of beer.

by Avant Hard all rights reserved

by Avant Hard all rights reserved

by Avant Hard all rights reserved

by Avant Hard all rights reserved

by Avant Hard all rights reserved

by Avant Hard all rights reserved

by Avant Hard all rights reserved

Dácio Pinheiro

FUCKING DIFFERENT.

Let’s try something fucking different. LET’S FUCK WITHOUT POPCORN AND DRINK COLA FROM CONDOMS.

Life is too short; you have to see and try as many things as you can, otherwise when you are old and sick you regret so much that you become a whining wreck. Tomorrow starts the 6th Porn FilmFestival Berlin and will last 5 long exciting days. I never been to one, and i am not sure how it feels and looks on the big screen among other strangers… I don’t know if i am going to enjoy or giggle, get horny or disgusted, but this is the experience i have to go through in order to actually see how much porn i miss in my life. I should admit my knowledge of porn is too limited, never thought of it from the creative or documental perspective, and it is rather interesting how far director’s mind could go in terms of nudity and perverted extravaganza. After looking at the programme the world of porn seems so rich and colourful, almost like Alice in Wonderland just for adults.

Matthew Saliba

Lucky Kuswandi

Maria Beatty, Jürgen Brüning, Emilie Jouvet, Manuela Kay, Bruce LaBruce, Kristian Petersen, Courtney Trouble, Todd Verow

Roberto Valtuena

Inside Flesh

Just in case you’re not in Berlin you can try JERK OFF Festival in Paris, which is taking it’s place now. http://festivaljerkoff.com/

But if you’re going with me to Porn FilmFestival in Berlin, don’t forget to choose the right movie i don’t want you to be sitting next to me and be bored!

http://www.pornfilmfestivalberlin.de/pffb_2011/en/PFFB_2011_Timetable.pdf

H · Heterosexual
S · Gay
L · Lesbian
T · Transgender
X · Contains Explicit Sex Scenes
NX · Contains Non-explicit Sex Scenes
FT · Fetisch
A · Animation
F · Made by Female Director
SW · Film on Sex Work and Prostitution
D · Documentary Film
WH. · Repetition

Orgasm Diaries